Homage to EI Barrio's Afro-Latinx Ancestors
Museo Del Barrio, 1230 5th Ave.
Bateyes II AR project features El Museo Del Barrio front yard as one of the spaces where during the summer the Latino community gathers to enjoy of monthly family outdoors events.
For this project the artist uses augmented reality to digitally recreate a Taino ceremonial plaza (commonly known as batey) over this contemporary urban courtyard. Bateyes II will reveal to the viewer aspects of the cultural heritage of El Barrio?s community, as well as the architectural and planning heritage that informed the layout of our communities and public spaces over time and how we still use these today. According to the artist, this project aims at encourage viewers to consider the following questions: How do spaces carry ancestral memories?
STEP 1. Download the free Blippar app.
STEP 2. Choose an AR site/project from the Mi Querido Barrio map. Once you are at the selected location, identify your marker.
STEP 3. Open the Blippar app in your phone and scan the image or object you wish to activate.
Wait a bit as you blipp. The content can take a few seconds to load.
Make sure the image/object is well lit, using the flash feature if necessary.
Make sure to hold your device steady as you blipp.
With this particular AR site/project: Reference image of marker for positioning. If you don?t have access to the physical marker, use the image marker on your Mi Querido Barrio Augmented Reality Guide, or visit cccadi.org/miqueridobarrio.
?Liberation is the pulse of my artistic practice. My work is informed by Puerto Rico's experience as a colony subjected to socio-political, industrial, medical, military, and environmental exploitation. Born and raised in Brooklyn, I had a third-party relationship with Puerto Rico through my parents. In my teens, I found art as a space to negotiate and reclaim a nebulous identity and history. As an adult, I traveled to the island more. Listening to the land took me beyond political dialogues and into a profound liberation consciousness. My trips to Vieques Island?s bioluminescent bay, studying its phenomena of light, revealed reflections of the cosmos and the magic of the aurora. I understood how my indigenous ancestors saw the night sky in the ocean, and vice versa. Painting bioluminescence, solar flares, and nebulae, I am able to explore the visual essence of fluido and the idea that spirits, living things, and celestial bodies consist of a universal fluid or light energy. Ever-inspired by its teachings, in 2014 I moved to Borik?n?a land pulsating with ancient wisdom and that lives liberated regardless of the man-made political constructs superimposed over her truth. I build my life and work in her example.?
Yasm?n Hern?ndez was born and raised in Brooklyn to parents from Ponce, Puerto Rico. Puerto Rico?s struggle against colonialism, and the pursuit of liberation globally, have informed her work over the last twenty years. Her 2011 East Harlem mural Soldaderas honors painter Frida Kahlo and poet Julia de Burgos, inspiring continued solidarity between the Mexican/Chicanx and Puerto Rican communities. Since moving from New York City to Puerto Rico in 2014, her work has been centered on restoring Borik?n to a liberated state through more spiritual, holistic, sustainable practices as taught by her ancestors. Her art has been supported by the National Association of Latino Arts and Culture, the Puffin Foundation, and the Center for Puerto Rican Studies. Yasmin studied art at the LaGuardia High School of the Arts and Cornell University in New York. She has worked as an artist educator with the Studio Museum in Harlem and El Museo del Barrio in New York City and Taller Puertorrique?o in Philadelphia. Today, Yasmin runs an art studio and hosts art classes for women from her hilltop home in Moca, and she also works as a K-12 art teacher in Aguadilla.